The city is filled with people engaged in a wide variety of daily activities every morning- going to work, buying breakfast along the way, delivering goods and services, cleaning the shop front, waiting for the bus, etc. These activities occur repeatedly each day without fail, to the point of being involuntary like breathing. But their repetitions also instilled a sense of dullness and monotony. What happens when we reframe these ordinary activities as various forms art, ranging from public sculptures to performances? Will we begin to see and value them differently? Taken from Hong Kong one morning, the various objects and human activities reveal the rhythm and relationship of space, objects and people in the fast- moving city.
When walking around Hong Kong, one can still find the presence of the 地主神 or Landlord Spirit altar at the lower corner of many shop fronts. The 地主神 is there to bring business and good fortune to the shop owner. Although the original 地主神 altar has two lines of inscriptions that declare the protection of the owner’s wellbeing and to bring more businesses, recent ones are simply reduced to a single line that says門口土地 財神 or Fortune Earth God At The Front Of The Door. Some 地主神are well kept and there are special niches designed to house the altars. There are others that are simply placed in front of the shop corners. A few 地主神 were seen sharing the altar space with a neighboring 地主神, with the Sky God or are squeezed among other objects outside the shop. And there are those that needed a bit of cleaning while a few have fled the shop front when the shop owner relocated to another place or the shop closed down due to poor business. Perhaps the ability of the 地主神 to bring new businesses varies or because the shop owner did not take good care of the altar. Either way, the empty niche and the remnants of what used to be the abode of the 地主神 conveys a poignant picture.