STUDIO CHRONOTOPE
  • Dispatches
  • Zero
  • PROJECTS
    • Venice Architecture Biennale: The Singapore Pavilion (Singapore)
    • Curating Whampoa (Singapore)
    • Learning from Shenzhen (China)
    • Helsinki Polybrids (Finland)
  • Teaching
    • Last Home (NUS)
    • Future Memories (NUS)
    • Philips-NUS Studio (NUS)
    • Density Urbanism Publicness (NUS)
    • Architecture Thesis (NUS)
    • I-Leap Art Event (Singapore)
    • ManifesTEA (SAIC)
    • Beppu Street Studio (SAIC)
    • Master of Architecture. Emphasis in Interior Architecture (SAIC)
    • MFA in Studio (SAIC)
    • Bunka Oudan (SAIC)
  • Text
    • Yì Jiàng
    • Social Curating and Archiving
    • Hamawaki
    • Uncovering the Infraordinary
    • The Living Museum
    • Mr. H (孔生)
    • Informal Religious Shrines: Curating Community Assets in Hong Kong and Singapore
    • Between Making and Action- Ideas for a Relational Design Pedagogy
    • Unbuilding
    • The Artfulness of Design
    • Interior Architecture- An Architect's Perspective
    • Crisis, Dialogue, Imagination
    • Reflections on Chinese Landscape Painting and Garden
    • The City
    • Furnishing the City
    • Constructing Ground
    • Sense of Materiality
    • Negotiated Territories
    • Intimate Immensity
    • Re-Contextualizing the Design Studio
    • Dialogical Strategy in Architecture Education
    • Expanded Role of Interior Architecture Education
    • Migropolis
  • About
  • Dispatches
  • Zero
  • PROJECTS
    • Venice Architecture Biennale: The Singapore Pavilion (Singapore)
    • Curating Whampoa (Singapore)
    • Learning from Shenzhen (China)
    • Helsinki Polybrids (Finland)
  • Teaching
    • Last Home (NUS)
    • Future Memories (NUS)
    • Philips-NUS Studio (NUS)
    • Density Urbanism Publicness (NUS)
    • Architecture Thesis (NUS)
    • I-Leap Art Event (Singapore)
    • ManifesTEA (SAIC)
    • Beppu Street Studio (SAIC)
    • Master of Architecture. Emphasis in Interior Architecture (SAIC)
    • MFA in Studio (SAIC)
    • Bunka Oudan (SAIC)
  • Text
    • Yì Jiàng
    • Social Curating and Archiving
    • Hamawaki
    • Uncovering the Infraordinary
    • The Living Museum
    • Mr. H (孔生)
    • Informal Religious Shrines: Curating Community Assets in Hong Kong and Singapore
    • Between Making and Action- Ideas for a Relational Design Pedagogy
    • Unbuilding
    • The Artfulness of Design
    • Interior Architecture- An Architect's Perspective
    • Crisis, Dialogue, Imagination
    • Reflections on Chinese Landscape Painting and Garden
    • The City
    • Furnishing the City
    • Constructing Ground
    • Sense of Materiality
    • Negotiated Territories
    • Intimate Immensity
    • Re-Contextualizing the Design Studio
    • Dialogical Strategy in Architecture Education
    • Expanded Role of Interior Architecture Education
    • Migropolis
  • About

Picture

ZERO is a traveling research project based in Asia (2009-2010) and supported by the 3rd Jaap Bakema Fellowship. As a number, ZERO is neither negative nor positive but we often assign a degree of negativity despite its ambivalence. A vacated site similarly lies in a liminal state with potentiality. However, we have been trained as architects that the only thing we could present to society is a building, to fill the void again. What can ZERO offer as we live through the Great Recession, when the myth of continuous economic growth is shattered and the assumption of ready capital for development can no longer be guaranteed? Through interviews, documentation and analyses, the research seeks to uncover the manifold meanings, expressions and opportunities of ZERO in a post economic bubble era.

www.zeroproject.weebly.com

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